In communication there are grades of urgency. Colour communicates its own narrative to the viewer. In sound as well as light we deal with vibration, and varying speed of said vibration. Our experience engage with matter, energy and time. As we view the inanimate flat surface of colour we ascribe to it an element of time and it seems to communicate to us a rhythm and frequently movement too. Sometimes the lack of complex narrative can help us get an idea of subtler, but no less compelling narratives. A lack of noise can make us listen harder.
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